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John Lucas and Shoestring Press

There’s a brief interview with writer and publisher John Lucas, in Nottingham’s Leftlion  here . It’s a good read, conveying  John’s passion for writing, publishing, cricket and music, in no particular order, and capturing a little of his direct and down to earth manner, his forthright, informed and uncompromising views, his quickness of mind, joyful independence and wicked sense of humor.  It’s a brief article so doesn’t touch on John’s vast knowledge of literature; mention any writer to him in any genre and John will have an opinion on the merits or otherwise of their works.

I met John Lucas in 2012 at a poetry reading in Nottingham. It was the first time we had ever spoken and John said he had enjoyed my pamphlet, ‘Gopagilla’,  and asked if he could have my home address.
I thought this was unusual in the age of e-mail, but duly wrote my name, street and post code in John’s well thumbed notebook. A week or so later I received a handwritten note on hand-stamped paper asking if I had any more poems as John would like to bring out a collection with his publishing company, Shoestring Press.
The resulting collection of poems came out in November 2013, and was launched in London, at the Lumen in Camden Town, and in Nottingham. I’ve still got some copies- please see the link at the top of the page if you would like one. And you can read one of John’s poems in the Guardian newspaper, here.

Shoestring make beautiful books, and have a very busy publishing schedule. Because of his reputation and the reputation of the press, John manages to sell lots of books without using the internet.
I once accused John of being a twentieth-century publisher to which he swiftly replied ‘oh, eighteenth century, please.’
Despite his suspicion that the internet is no place to sell poetry,  I understand that John has recently been persuaded to try out a paypal button on the website for one of Shoestring’s new titles-a collection of short stories by David Belbin. It remains to be seen if he will be convinced of its value!

I’m delighted to know and work with John, and to be in the company of so many fine writers.  My new collection of poems is scheduled for publication by Shoestring press in 2017.

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The TS Eliot prize and twenty-five years of Shoestring Press

One of the great showcases for poetry, the TS Eliot Prize is over for another year.  I’m lucky enough to have met and spent a little time with three of the nominated poets in the last couple of years, and I found all of them to be witty, generous, brilliant and fun.

I have never met Danie Abse, shortlisted for his ‘Speak, Old Parrot,’ but  I have loved his work for some time, not least because Abse, a Doctor by profession and now 91 years of age, has written about medical matters from an insider’s point of view in his ‘Pathology of Colours’.  Reading this poem and others by Abse I realised I could write about my own experiences as a nurse.
You can hear the funny and very moving Danie Abse and all the other brilliant poets reading at the awards ceremony by clicking here.  

sPEAK

Away from the bright lights poetry continues to thrive in the small presses and magazines. My review of Matt Merrit’s ‘The Elephant Tests’ (Nine Arches) is on the impressive new online magazine Hinterland along with some excellent poems.

Elsewhere you can find a review of Helen Mort’s TS Eliot Prize nominated ‘Division Street’ as well as a well-balanced and written review of my book ‘The Sun Bathers’ on Antiphon.

In other news Nick Laird’s new collection ‘Go Giants’ (Faber) arrived today and looks to be as good as I had hoped. I’m catching up on Laird’s work, and his superb poem ‘Grace and the Chilcot Inquiry’ inhabited my head for most of the day.

Finally, I was thinking about my wonderful publisher today. I can write this safe in the knowledge that the notoriously modest John Lucas will not be reading it as he stays away from electronic media as much as possible.

John Lucas set up Shoestring Press  twenty five years ago this year. Small press publishing is a precarious business and John has continued to quietly produce a wide range of poets in beautiful editions, including the brilliant John Hartley Williams. His selection of writers is varied and includes translated work, and John will often concentrate on publishing poets who he feels have been overlooked or undervalued. One example might be the wonderful Matt Simpson. Another is Brian Jones, not the ill-fated Rolling Stone, but a poet published at various times by Chatto and Windus and Carcanet.  Much of Jones work had been out of print until Shoestring’s recent New and Selected.

John also publishes a lot of first collections, including, I’m extremely happy to say, mine. As everyone reading this will no-doubt know, small press poetry books are highly unlikely to be stocked in high street bookshops or to be nominated for the large poetry prizes (see Fiona Moore’ s interesting post on this here.)  Forgive me. I am about to relate an anecdote which involves quoting a complementary introduction given by John Lucas and thereby blowing my own trumpet a little. But I do so for a purpose.

Two months ago, on the night of a joint launch reading with Rory Waterman, John suggested that my poems, rather than having a highlight or two, were the highlight,  rather like Duke Ellington’s music.  I should mention that John is a cornet player with his own jazz band and I imagine he thinks rather highly of Ellington.  I felt as if I’d won the biggest prize in poetry. If my work never receives further recognition or praise I’ll be happy with that.

Here’s to John Lucas and Shoestring Press and to all its supporters and readers. And to Shoestring poets both alive and living on through their words.  Cheers.